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ume26lssue5(NS) ISSN 0037-4806 USPS496-040 COWTWBUTORS Nelson Abbey is a writer whose work has appeared m the Vbfce and London Eventng Standard John Beagles is a lecturer at Edinburgh College of Art Michael Brooke is a freelance film critic and histonan Ian Christie is working on a book of Eisenstein's drawings Sam Davies IS a freelance writer Maria Delgado I a cntic and professor of theatre and screen arts at Queen Mary.University of London Bryony Dixon is curator of Silent film at the BFI National Archive Christopher Fraytir^ s most recent book is The 2001 Fite; Harry Lange andthe Design of the Landmark Science Fiction Film Graham Fuller is a freelance film critic based m New Vbrk Marisol Grandon ishead of creative content at the Department for Internatiorial Oeveiopmeni Juliet Jacques is a journalist and the author of Trans: A Memoir Tievor Johnston IS a freelanoe writer Charlie Lyne is a filmmaker and film CTitic based in London Ian Mantgan I is a wnter and programmer Nick Rnkerton is a New Mxk- based f Hm critic and programmer Jonathan Romney is a freelance CTit JC, wnter and filmmaker Mark Sinker is the author of the BFI Film Classic on If. Imogen Sara Smith IS the author of In Ljonelyfi Boe&Film Noir Beyondtt Te City Kate Stables is a monthly contributor to Sight&Soundaiyd Tatal FSm Ginette VIncendeau is the author ot Jean-Pierre Melville: An Amencaim Pans Nicholas Vroman IS a wnter and programmer based in Japan Nikolaus Wachsmann is the author of KL A History of fhe Na J!

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By Nick Pinkerton 38 COVER FEATURE: DEEP FOCUS The psychological western In the aftermath of WWn a new breed of western borrowed elements of film noirto present a different kind of hero - angry, alienated protagonists who reinvigorated the genre and enabled it to grapple with the concerns of the Cold War. PLUS Imogen Sara Smith on Johnny Guitar ind the women of the West May 2016 1 Sighta Sound 1 1 9ef«a Saund Contents Reviews PUBUSHED MON THLY BYTHE BF1 Ed Korial enquiries 21 Stephen Street London WIT ILN t020 7255 1444 w.

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