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Bridge to Iran (Documentaries) News & Features Munich Hosting Cinema Iran - Financial Tribune (July 15, 2017) Slick, but unpersuasive crime thriller 'The Persian Connection' ventures into L.A.'s Iranian underworld - LA Times (July 13, 2017) 'Yellow' Wins 2 Awards at Shanghai Film Festival - Financial Tribune (June 28, 2017) 'Bad Batch' director on racism, her intentions and growing up Iranian-American - Chicago Tribune (June 27, 2017) Rebellious Iranian filmmaker wins major prize at Cannes - DW (May 27, 2017) COLCOA French Film Festival: Stéphane Brizé talks bout making of "Une Vie" - A Women's Life - LA (April 27, 2017) COLCOA French Film Festival: Sveva Alviti talks about her role in Dalida - LA (April 24, 2017) COLCOA French Film Festival: Lambert Wilson talks about making of "The Odyssey" - LA (April 24, 2017) COLCOA French Film Festival: Claude Lelouche & Nadia Farès talk about making of "Every one's Life" - LA (April 24, 2017) How the SAS sprung hostages held in London's Iranian embassy - Mirror (April 17, 2017) UW student hopes new Iranian Film Festival will build cultural bridges - Cap Times (April 15, 2017) Italian Film to Be Shot in Iran After 50 Years - Financial Tribune (April 10, 2017) The Nights of Zayandeh-Rood review – Makhmalbaf's essential early film returns - The Guardian (March 2, 2017) New Iranian Movie Portrays Destruction of U. Navy Fleet - The Tower Magazine (March 2, 2017) Iran’s poor attempt to censor Charlize Theron - 9News (March 1, 2017) Tweet and delete: US officials erase their praise for Iranian Oscar winner - Reuters (February 27, 2017) Iranian director sent prominent Iranian-American engineers to accept his Oscar - WP (February 26, 2017) | Video 'The Salesman' nabs Oscar, Iranian director Asghar Farhadi absent from ceremony - ABC News (February 26, 2017) Abbas Kiarostami remembered at Oscars ceremony - The Guardian (February 26, 2017) Asghar Farhadi to Be Represented at Oscars by First Female Space Tourist and Former NASA Scientist - Variety (February 24, 2017) Shohreh Aghdashloo presents the 2017 Jean Renoir Award to the son of Abbas Kiarostami - WGA West (February 20, 2017) '76 Minutes and 15 Seconds with Abbas Kiarostami' review: Doc delves into Iranian filmmaker's methods - Chicago Tribune (February 16, 2017) Marjane Satrapi To Helm ‘Radioactive’ Marie Curie Story For Working Title & Studiocanal - Deadline Hollywood (February 16, 2017) Iranian Oscar contender to screen in Trafalgar Square before ceremony - BBC (February 14, 2017) ‘A Man Called Ove’s Iranian-Swedish Star Bahar Pars In Oscar Attendance Limbo - Deadline Hollywood (February 1, 2017) Oscars chiefs dismayed by US entry ban - BBC (January 29, 2017) Star of Iranian Film Says She Will Boycott Oscars Over Trump’s Visa Ban - NY Times (January 26, 2017) “The Salesman” nominated for Oscar - Tehran Times (January 24, 2017) Abbas Kiarostami Honored by Writers Guild of America West - Variety (January 23, 2017) Retribution and Magical Realism Headline Saturday Night at the Iranian Film Festival - Houston Press (January 12, 2017) Oscars 2017: Germany and Iran among foreign film contenders - BBC (December 16, 2016) Farhadi’s “The Salesman” receives nomination at Golden Globe Awards - Tehran Times (December 13, 2016) Marrakech Film Festival Remembers Iranian Master Abbas Kiarostami - Variety (December 4, 2016) Iranian film 'Daughter' bags Golden Peacock at IFFI 2016 - The Hindu (November 28, 2016) Starless Dreams review – brilliant but painful story of girls in Iran's detention system - The Guardian (November 24, 2016) Iranian filmmaker jailed for a year over graffiti documentary - DW (November 24, 2016) Islamic cinema is booming. - The Economist (November 21, 2016) Iranian’s debut wins best film award at KIFF - The Hindu (November 19, 2016) AFI FEST: Isabelle Huppert Tribute - Hollywood (November 13, 2016) AFI FEST: The Premiere of 'Elle' - Hollywood (November 13, 2016) AFI FEST: The Premiere of 'It's Only The End of the World' - Hollywood (November 12, 2016) AFI FEST: The Premiere of Live Cargo - Hollywood (November 11, 2016) Interview with German-Iranian actress Lara Heller - PT (November 1, 2016) Paris' Pompidou Centre celebrates Iranian filmmaker Panahi - RFI (October 26, 2016) Sonita review – a refugee's dreams of superstardom - The Guardian (October 20, 2016) Film Review: ‘Window Horses: The Poetic Persian Epiphany of Rosie Ming’ - Variety (October 16, 2016) How an Iranian film has become a Brit Oscar contender - BBC (October 14, 2016) Bahar Pars talks about making of 'A Man Called Ove' - LA (September 30, 2016) Under the Shadow: feminist Iranian film is one of the best horrors of the year - The Conversation (September 30, 2016) Under the Shadow review – supremely scary horror from Iran - The Guardian (September 29, 2016) UK submits Farsi-language 'Under The Shadow' for Oscars - Screen Daily (September 21, 2016) Iran Nominates Farhadi's 'The Salesman' for 2017 Oscar - Hollywood Reporter (September 17, 2016) Ana Lily Amirpour wins the Special Jury Prize for "The Bad Batch" at the Venice Film Festival - BBC Persian (September 11, 2016) Venice 2016 Review: THE BAD BATCH Proves Ana Lily Amirpour Deserves All the Awards - Screen Anarchy (September 6, 2016) Amir Naderi honored at Venice Film Festival - Tehran Times (September 6, 2016) U. We booked a cruise that stops in Grenada specifically because our daughter & her husband live there.When I told her about my discovering the web camera, she said she was right there the evening before, but didn't know about it!This country is very intriguing and it deserves to be visited by each tourist.Local population is a well-combined form of hardworking Germans and freelove Dutch.Now we, this generation, are opening them one by one. Well, yes, with a few women at a time, but who hasn’t done that?
Here a woman bearing food donations for a non-government charity animal shelter plays with a homeless dog.
' - The Guardian (August 2, 2014) Iran's Cinema in Search of Global Markets - Asharq Alawsat (July 28, 2014) Closed Curtain: Iran's banned filmmaker won't give up - Salon (July 11, 2014) Iranian Filmmaker Jailed for Five Years for 'Collaborating With the BBC, American Media' - Hollywood Reporter (June 10, 2014) LAFF: The The Gala Screening of The Two Faces of January - LA (June 17, 2014) LAFF: Opening Night Gala of Snowpiercer - LA (June 11, 2014) Variance Films Picks Up North American Rights to Iranian Film 'Closed Curtain' - Hollywood Reporter (June 10, 2014) Iranian backlash over Leila Hatami Cannes kiss - BBC (May 19, 2014) The low-budget biopic riling Iran's president - BBC (May 2, 2014) Actress: In Iran, my counterpart faces prison - CNN (May 2, 2014) TCM Film Festival: Jerry Lewis Hand and Footprint Ceremony - Hollywood (April 12, 2014) TCM Film Festival: Gala Screening of Newly Restored Oklahoma!
- Hollywood (April 10, 2014) Writing a New Romance - NY Times (March 14, 2014) In LA's Iranian Set, A Two-Sided Love Triangle With A Side Of Clichés - NPR (March 13, 2014) Parviz and a new way forward for Iranian cinema - TB (March 3, 2014) Iranian Filmmakers Have Reason to Cheer as Political Climate Slowly Shifts - Variety (February 28, 2014) Old guard v new blood at Iran's Fajr film festival - TB (February 11, 2014) Islamic Revolution Can't Upstage Iranian Cinema - RFE/RL (February 10, 2014) Iranian Filmmaking Rebounds at Fajr International Film Festival - Hollywood Reporter (February 6, 2014) Iranian President Sends Message of Support at Fajr Film Fest Opener - Variety (February 2, 2014) Iranian-American Actress Gets Fed Up With Hollywood's Racism - Colorlines (January 23, 2014) Sundance 2014: At ground zero for U. film, a Persian wave - LA Times (January 15, 2014) Colombian Filmfest to Present Kiarostami's Retrospective - CHN (December 22, 2013) Oscars announce shortlist for Best Foreign Language Film, leaving off 'The Past' - EW (December 20, 2013) Farhadi's film nominated for Golden Globe Awards - Press TV (December 12, 2013) Oscar Academy asks for Derakhshandeh's film script - Press TV (December 7, 2013) Bérénice Bejo Stars in Asghar Farhadi's Film The Past - NY Times (December 7, 2013) Kami's Party - Eye for Film (November 24, 2013) Spanish film festival screens Growing in the Wind - Press TV (November 23, 2013) Cinema Italian Style: Premiere of the Great Beauty - Hollywood (November 14, 2013) Legendary Director Bernardo Bertolucci - Hollywood (November 14, 2013) AFI FEST: Hany Abu-Assad talks about making of Omar - Hollywood (November 12, 2013) AFI FEST: Premiere of Child's Pose - Hollywood (November 12, 2013) AFI FEST: The Past 'Le passé' (November 10, 2013) AFI FEST: Nagieb Khaja talks about making My Afghanistan - Hollywood (November 9, 2013) AFI FEST: The Premiere of Bethlehem - Hollywood (November 9, 2013) AFI FEST: Closed Curtain 'Parde' (November 8, 2013) AFI FEST: Manuscripts Don't Burn (November 8, 2013) AFI FEST Opening Gala: Premiere of Saving Mr Banks - Hollywood (November 7, 2013) Changing focus exposes middle-class issues in Iranian film festival - Herald Sun (November 1, 2013) Pegah Ahangarani receives 18-month jail sentence - BBC Perisan (October 28, 2013) Iran honors veteran director Dariush Mehrjui - Press TV (October 21, 2013) Iran Signals Cultural Thaw With Oscar Choice - NY Times (September 30, 2013) Iran chooses Franco-Iranian "Le Passé" as Oscar bid - RFI (September 29, 2013) Iran to Review 12 Films for Oscar Submission - CHN (September 28, 2013) 'The Muslims are Coming!
When Iranian American anthropologist Pardis Mahdavi first visited Tehran in the summer of 2000, she expected to encounter the Iran she grew up imagining.
Her family remembered violence and extremism, and these were the images that stuck: “women clad in black chadors, wailing and whipping themselves,” “black bearded men with heavy hearts and souls,” arranged marriages, and the fierceness of the “morality police.” But while she encountered this repressed side of Iran, she also heard stories of and witnessed signs of what some friends and informants called a sexual or sociocultural revolution. Now the youth are trying to figure out what to do with all these opening doors.” Understandably, young people experience confusion in the face of competing ideals and desires—traditional expectations versus contemporary temptations—and the stakes of personal decisions remain high.